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Piese de Enda Walsh

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Bedbound

A Father and a Daughter share a small bed. He talks frantically about his extraordinary past in furniture sales; she talks no less compulsively about anything at all, to fill the terrible silence in her head. Everything is frantic and broken and ugly because they can't stop talking. If only they could stop and sleep.

Chatroom

Set in a series of internet chatrooms, where a group of adolescents show off, flirt and play power games, all at a safe distance; though it seems the distance may not be safe enough for the vunerable.

Delirium

Hilarious, brutal and tragic, Delirium is a radical re-interpretation of The Brothers Karamazov, Dostoevsky's classic and compelling tale of family rivalries . . . The Karamazovs are a train wreck waiting to happen. A hated father and his sons battle it out over women, money and God - they don't so much live as burn up. Behind them lurks a servant, taking note of it all and to the side, two beautiful women, clinging onto impossible loves

Disco Pigs

Two friends set out to celebrate their seventeenth birthdays through the nightclubs of Cork, a city lost in dance and pounding rave rhythms. Pig and Runt are two inseparable violent creatures, who have developed their own language from birth. This night they are about to separate, and which one will survive depends on which one can break free.

Fishy Tales

A story of an arrogant little prince who is being punished for his bad behaviour. He is sent on a journey and on the way he meets other children who have special needs.

Gentrification: A Conversation With My Neighbour Henry

Something terrible has happened in the ordinary London street where Henry lives with his lovely partner and their perfect little daughter, Ada. Ordinary social tension over different lifestyles and income levels has erupted into something more political, targeted and sinister: middle-class children are being taken and held hostage until their families return the streets to the local people who once owned them. - Joyce McMillan, Scotsman

Ginger Ale Boy, The

Set in Cork, The Ginger Ale Boy traces the life of Bobby, an ordinary young man who discovers he has talent and ambition as a ventriloquist, but that other forces may conspire to deprive him of his dreams.

How Much Is Your Iron?

A mixture of cabaret and morality tale, a corrosive satire on the international arms trade.

How These Men Talk

Love Underneath

Lyndie's Gotta Gun For Artistas Unidos

Misterman

Thomas Magill is Misterman - the self-appointed guardian of Inishfree's moral welfare. Thomas lives inside his own head but today that safe place is beginning to doubt itself. Mammy's full of a cold and the cat is awfully depressed. An old rub down with Vick and a packet of Jammie Dodgers should sort the situation out there. Outside, the people need to be watched though. What was Eamonn Moran up to in his garage? Someone's got to keep their eyes peeled for the bad. But when all the words have stopped inside his head, will Inishfree and Thomas survive Thomas's judgement day?

New Electric Ballroom, The

A dark fable of the emotionally stultifying effects of small-town life. Three sisters in a remote fishing village, trapped in the years that have passed since their halcyon days at The New Electric Ballroom, are still obsessed by darker memories of something resembling romance.

Small Things, The

Two chairs, a table, a high window. An old woman, an old man. Prompted by their alarm clocks they tell their story. They tell of a village in which people's tongues are cut out, making them 'the Silent'. They tell of a ten-year-old boy lying in the woods, battered to death, his tongue cut out. They tell of children lined up outside the local pool - blue with cold in their swimming costumes - waiting to have their tongues cut out, then to be immersed in the pool. It's clearly a story they need to tell. . .

Suckling Dublin

A fierce and uncompromising account of five young people tormented by a rape in a claustrophobic, drug-infested Dublin

Walworth Farce, The

A remarkable play from the author of Bedbound and Disco Pigs, about what can happen when we become stuck in the stories we tell about our lives. Visceral and tender, The Walworth Farce combines hilarious moments with shocking realism. It's 11 o'clock in the morning in a council flat on the Walworth Road in London. In two hours' time, as is normal, three Irish men will have consumed six cans of Harp, fifteen crackers with spreadable cheese, ten pink biscuit wafers and one oven-cooked chicken with a strange blue sauce. In two hours' time, as is normal, five people will have been killed.

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Biografie Enda Walsh 

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Cronici ale spectacolelor dupa texte de Enda Walsh

• Miniaturi solare de Alice Georgescu sursa: Ziarul de duminică
  Printre prejudecatile - deloc putine - care complica inutil viata scenei romanesti se numara si aceea ca teatrul "nou", adica teatrul facut de companiile si artistii independenti, cu texte provocatoare, cu decor si costume sumare, cu bani putini si cu multa abnegatie, trebuie sa fie neaparat sumbru si incruntat, daca nu mizerabilist. Deoarece vorbeste, de regula, despre subiecte "fierbinti" (ba chiar hot) sub raport social, se crede ca, pentru a fi cool, tonul discursului acestui tip de teatru are obligatia de a ingrozi si deprima auditoriul.
  Ceea ce este, fara indoiala, nu doar fals, ci si stupid. Ca intotdeauna, insa, ideile primite de-a gata au viata mult mai lunga (si mai comoda...) decat gandirea de bun-simt, asa incat cine merge astazi la noi la un spectacol "independent", "alternativ", "underground" etc. rareori va izbuti sa rateze subiecte precum drogurile si urmarile lor devastatoare, familia traditionala in chip nu atat de celula a societatii cat de carcera a membrilor (mai
  Citeste tot pe Ziarul de duminică
• Cum sa ne sinucidem virtual. Instructiuni si abilitati de Cristina Rusiecki sursa: Revista Cultura
  Cand cu niste ani buni in urma m-am dus sa trimit cele cateva randuri despre „Bash“ de la Teatrul ACT – spectacol care mi se paruse ca da alta fata teatrului romanesc independent –, de la Cafe Internetul din cea mai apropiata intersectie, pe la trei si jumatate noaptea, am fost uluita sa constat ca locul, vreo trei sali foarte mari, era arhiplin. Arhiplin de adolescenti de scoala generala. Unii se ocupau cu jocurile, dar imensa si (azi) previzibila majoritate statea pe chat. Protejati de lipsa intalnirii din real si de potentialele dezamagiri, tinerii vorbeau zi si noapte in eter, cu necunoscuti cu care le era imposibil sa creeze grade de intimitate altfel decat iluzorie.
  Mormane de nevoi de a se comunica sau de a stabili legaturi fictive, comunitati virtuale intemeiate pe presupuse stari sau interese comune („Harry Potter“, Britney Spears, apropiata sinucidere, luati-le in orice ordine) ii fac sa se confeseze in toate directiile unor umbre de la care asteapta fie
  Citeste tot pe Revista Cultura
• Diamante printre porci de Cristina Modreanu sursa: Teatrul de azi
  Dacă e vară, nu e teatru. Dacă e luni, nu e teatru nici măcar iarna. Aşa-i la noi. Şi totuşi, undeva pe Calea Victoriei, într-un subsol despre care se vorbeşte în lumea culturală mai mult decât despre unele imobile de la suprafaţă, găseşti teatru şi vara, chiar şi într-o zi de luni. Ba chiar, mai ales într-o zi de luni, fiindcă aici, adică la Green Hours, îşi joacă spectacolele Teatrul Luni.
  Una din producţiile Teatrului Luni poartă amprenta unor tineri artişti care n-au linişte, în cel mai frumos sens al cuvântului. Neliniştea lor – adică a regizorului Peter Kerek (care a făcut până acum numai câteva spectacole, dar de care lumea va mai auzi cu siguranţă), a actorilor Alina Berzunţeanu şi Marius Manole, a scenografei Alina Herescu vine din neliniştea generaţiei pe care o reprezintă şi a lumii în care trăiesc – o lume crudă, violentă, care îşi extrage puţinele doze de sensibilitate tocmai din excesul de violenţă şi cruzime.
  Citeste tot pe Teatrul de azi

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