Piese de Luigi Pirandello

'A vilanza (La Bilancia)
Fiecare în felul lui (Ciascuno a Suo Modo)
The play is based on "real" goings-on: the scandal of the artist Giorgio Salvi's suicide on the eve of his marriage, committed when he discovered that his fiancée, the actress Delia Morello, had begun an affair with Salvi's brother-in-law Michele Rocca.
Nu se știe cum (Così è (Se Vi Pare))
O piesă târzie a autorului în care se regăsește complexa teorie pirandelliană a dedublarii: "Există suflete neliniătite, aproape într-o stare de continuă topire, care refuză să se închege la loc, să încremenească în cutare sau cutare formă de personalitate. Dar chiar și pentru cele mai liniștite, care s-au topit într-o formă sau alta, topirea e mereu posibilă: fluxul vieții există în toți."
El placer de la honradez
The only title invites us to delight in the principles that regulate human behavior, in the midst of societies, in which we are honored as islands in the midst of an ocean of eccentricities and snobbery. We live in societies that have become accustomed to pervert principles, and to celebrate and worship the banalities. He did not distance himself from his objective reality, Pirandello, when he affirmed that "life is a lie, and truth is a theater". From what point of view can life be a lie, if not from one in which the healthy and real objective of having it is not fulfilled? And what about the concept of truth as a theater, when it defends itself with an army of lies.
Enrico IV
About a man who believes himself to be Henry IV, Holy Roman Emperor.
I Giganti della montagna
Il berretto a sonagli
Set in Sicily , the story centers on Beatrice Fiorica, a woman who collapses to discover that her husband, the Knight Fiorica, is unfaithful to the young Nina. Disconsolate, intends to denounce the unfaithful couple before the authority, represented by the Spano Delegate. However, the husband of Nina, the old Scampa, an employee of the Knight Fiorica and connoisseur and consent of adultery, tries to dissuade her from filing a complaint, advising her to reason with the head rather than with the heart, because what is really important is to keep Appearances.
Regulile jocului (Il gioco delle parti)
The principal characters are Leone, his estranged wife Silia, and a man called Guido who is having an affair with Silia. Rather than allow himself to feel betrayed and angry, Leone chooses to empty himself of all emotion, becoming in his own words like an empty eggshell. He manipulates Guido into taking his place in a duel, in which Guido dies. Other characters include a group of drunken young men, who give Silia the opportunity for her scheming, and one of whom becomes the duellist; two friends of Leone, Bartelli and Dr Spiga; and Leone's servant, Philip.
Omul cu floarea în gură (L'Uomo dal Fiore in Bocca)
An one-act "dialogue" play derived, with small variations, from the novella La Morte Adosso. The dialogue takes place in a bar between a man who is dying of an epithelioma and a peaceful businessman who has missed his train. In other words, between someone who intensely lives the little time left to him and someone who is rich with time to spend idly and irresponsibly, waiting for the morning train and entirely absorbed by the banal contretemps. The exceptional nature of the moment, for the man who feels death upon him—to use Pirandello's phrase—and the normality of it, for the one who is absorbed in the usual affairs of life with its small daily commitments, mark the two ends of the dialectic which is animated in the grand soliloquy of the protagonist. He lucidly analyses his last sensations on earth, evoking scenes of common life, particulars of a quotidianity which are receding from him irremediably and which, for this reason, make precious the memories of even the most trivial events. In the solemnity of his solitude, he seems to have gained unexpected awarenesses of the life that is leaving him and of death. With no sense of regret or repentance, he almost seems to bitterly enjoy his unrepeatable experience marked by the echo of the end, which allows him to dedicate himself with interest to observing the anonymous life of others, in order to grasp its sense.
Omul, bestia și virtutea (L'Uomo, La Bestia e La Virtù)
Liolà
The play is set in 19th century Sicily. Liolà is a middle-aged single father by choice. He has three young boys, each by a different mother. He is a free-spirit who wanders from town to town, looking to connect with nature, and to create children without having any ties to the mother. He tries to sell one of his boys to Zio Simone, a crabby elderly man, who becomes offended by the offer. He then has an encounter with Mita, a former lover, who tells him that he is the father of her unborn child.
Ma non è una cosa seria
Mimmo Hope, cheerful and carefree conqueror of women, who abandoned regularly, has just escaped to death in dueling with an infuriated unprotected brother. He no longer wants to run such risks and then he has the good idea to get married so that no seduction and abandoned can claim more from him. Of course it will be a marriage, in accordance with the law, but fake in reality. For a fictitious wife, Memmo will take Gasparina, a retired, simple, humble and submissive woman who certainly will not bother, and she will thank the fate of being married, she is considered an insignificant woman and without any of her attracts That make people fall in love. On the other hand, this facade wedding is the only way out for our Don Giovanni , brought by her very nature to be irresistibly attracted by beautiful women and to inflamation of love like the fire of the straw that is immediately extinguished. In return for the wedding, Memmo will provide the bride with a decent life, without the hassle of managing the retirement, in a country house. The only one opposed to this unfortunate affair is a guest of retirement, Elder Mr. Barranco, secretly in love with Gasparina.
Questa sera si recita a soggetto
A company of actors under the direction of Doctor Hinkfuss is to present an improvisation on Pirandello's novella Leonora, Addio! Hinkfuss explains that his plan for having the actors improvise, as the spirit moves them, is an attempt to allow the work to stage itself, with characters rather than actors. However, his actors are frustrated at the conflict inherent in Hinkfuss's instructions: to completely become their characters, but also to come when they are called and adapt themselves to Hinkfuss's decisions about what should happen when.
Șase personaje în căutarea unui autor (Sei Personaggi in Cerca d'Autore) Text disponibil online
O ciocnire a civilizațiilor, dintre un teatru al entertainment-ului şi unul al meditaţiei (sociale), dintre două moduri antagonice de a gîndi teatrul, de a vorbi teatrul, de a face teatrul. - Iulia Popovici
Tutto per bene
Martino Lori a rămas văduv și nu pare a se recupera de la acest tragic eveniment. El are o fiică, Palma, încredințată la vârsta de optsprezece ani unui tutore, senatorul Manfroni.

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Biografie Luigi Pirandello 

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Luigi Pirandello

Luigi Pirandello s-a nascut la data de 28 iunie 1867 in Agrigento, Italia.


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