sinopsis
The action of the play is made up of a series of concurrent actions, some set in a tacky motel, somewhere else, involving a group of disparate, but curiously related, people. There is the young night clerk, Pauline, who studies her high school English Lit notebook while growing increasingly fearful of the unseen and unwanted suitor who lies in wait in the motel parking lot; a raucous carnival barker touting his giant crocodile, Bonecrusher; a pair of seedy bar denizens who occasionally break into song; a dim-witted handyman, Chuckles, who performs pointless errands; a deranged scientist who believes that he is in contact with creatures from outer space; an abandoned woman who waits restlessly for a lover who will probably never return; and a mysterious drifter, Faber, who somehow becomes the catalyst which fuses all these divergent elements into a cohesive, and often wildly funny, whole. And, in so doing, makes the play both an encapsulation of the American myth and, at the same time, a telling commentary on
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