sinopsis
The story, which is loosely autobiographical, begins with composer Gordon Schwinn working at his piano, irritable because he's up against a deadline. He's supposed to write a song about spring for his boss, a dictatorial children's TV star named Mr. Bungee (he's a frog). Gordon goes to meet his friend Rhoda for lunch, passing a tart homeless woman on the way. At the restaurant, Gordon suddenly clutches his head in pain, falls face-forward into his pasta, and then collapses. At the hospital, Gordon learns that he has a rare condition called arteriovenous malformation, which causes fluid to build up on his brain. An operation is needed, but it's potentially dangerous; there's a significant chance that Gordon could die, or never recover his faculties. Surrounded by his tiny but supportive family--Rhoda, his mother, and his lover Roger--Gordon nonetheless must face this crisis alone. And what haunts him the most are the songs that he fears he will never write if he doesn't survive. And so--from his hospital bed, from his wheelchair, from the depths of an MRI, and even while comatose--Gordon writes them. They flow out of his imagination and his subconscious breathlessly and uncontrollably. Little remembered snatches of reality crop up surreally in these weirdly magical musical numbers: the homeless lady, for example, keeps appearing, and when Gordon's doctor mentions just before surgery that he has tickets to see Chicago that night, the spirit of that dark, brittle show pervades a long nightmarish sequence that Gordon hallucinates (dreams?) while in a coma.nytheatre.com
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